Crommunist Review(e): Billy Talent’s “Billy Talent II”
I’ve wanted to do a BIL on this band, but they’ve only produced two albums, so I feel it might be a bit premature. Instead, I’m going to review their latest album.
Billy Talent: Billy Talent II

This album was released in June of 2006, the long-anticipated sequel to 2003’s Billy Talent.
Track Listing
1. Devil in a Midnight Mass (released as a single)
- Relative rating: 3/13
- Star rating:
“Devil in a midnight mass, he preyed behind stained glass/A memory of Sunday class resurrected from the past.”
This first offering from this album (to both the album owner and the radio listener) shows a darker side to the band that wasn’t fully explored on their first album. The song is an obvious reference to the many recent cases of child abuse perpetrated by priests in the Catholic church. Musically this is a hard-rockin’ song that really doesn’t give the listener any breaks, a somewhat fitting motif considering the subject matter of the song.
2. Red Flag (released as a single)
- Relative rating: 1/13
- Star rating:

“Cast off the crutch that kills the pain, the red flag waving never meant the same/The kids of tomorrow don’t need today when they live in the sins of yesterday”
I’m really not sure how I feel about this song. It’s definitely my least favourite from the album: rather simplistic and almost Sum41-esque in its style. The lyrics aren’t bad, but it strikes me a bit too much like a Linkin Park or Simple Plan attempt to resonate with a marginalized teen audience with bulging pockets. It’s still Billy Talent, and that redeems this song.
3. This Suffering
- Relative rating: 8/13
- Star rating:

“Like a target drawn across my chest, she’s a bullet in Russian roulette”
This song has an almost melancholy feel, despite being a hard-rockin’ face-bangin’ anthem. I really like the echo effects in the first couple lines of each verse. This song begins to scratch the surface of some of the depth that is seen more clearly in subsequent tracks on this album. For this album, it’s a middle-of-the-road type of song, somewhat forgettable, but it’s still a great song on its own.
4. Worker Bees
- Relative rating: 12/13
- Star rating:

“We take our orders given by the queen, we’re not the killers we’re the worker bees”
Wow… that’s all I can say listening to this song. The metaphor contained in this song is one of the best I’ve heard from a punk rock band, a genre dominated (in my experience) by overbearing symbolism. This song is definitely the most intelligent on the album, as it takes a song that sounds like a war anthem and overlays a strong anti-war satirical portrayal of grunt soldiers as worker bees. I hope Bush plays this one for the troops… If you have ANY opinion on the U.S. involvement in the middle-east, give this song a listen.
5. Pins and Needles
- Relative rating: 13/13
- Star rating

“Never understood how she could mean so little to so many, why does she mean everything to me?”
This has quickly become one of my favourite songs of all time. If we can ignore the lyrics for just a moment, this song is the most musically poignant and powerful song on this album. The guitar line that runs behind this track gives it a certain level of sophistication, but it’s the tune that makes this song stand out the most. Deeply passionate and emotionally raw, this track is easily the standard by which all other Billy Talent can be judged. Have a listen and see if you agree. The only bone I have to pick with this song is that it is TOO SHORT. I have to listen to it 2 or 3 times before I am satisfied.
6. Fallen Leaves (released as single)
- Relative rating: 9/13
- Star rating:

“In a crooked little town they were lost and never found, fallen leaves on the ground”
Again, because this is such a great album, some of the middling songs are easily overlooked. This song, like most of the others on this album, discusses a serious social topic. In this case, drug use and addiction in urban youth. There’s really nothing particular to SAY about this song… except that it is also good.
7. Where is the Line?
- Relative rating: 2/13
- Star rating:

“Urban Hipster, the new gangster… fronting by the club/New wave mannequins packing haircuts, instead of packing guns”
It’s about friggin’ TIME those hipsters drew some ire from the mainstream. If you don’t know what a hipster is, go read http://www.catandgirl.com. This is a biting rebuke to anyone who has snobbed someone over not having the right shoes or listening to the wrong music. Not one of my favourites musically, but still a great song lyrically.
8. Covered in Cowardice
- Relative rating: 6/13
- Star rating:

“Twisted tongues will place you in their category. Face to face you’ll hear them tell a different story”
Yet another legitimately good but overshadowed song on this album. These relative ratings are difficult to do on an album like this, because even the worst song on this album is a decent song on its own. This song is an attack of hypocrisy, admonishing the listener to “beware the voice without a face”. This song shows a decent amount of musical contrast, and the lyrics are tight.
9. Surrender
- Relative Rating: 4/13
- Star rating:

“She reads a book from across the street, waiting for someone she’ll never meet. Talk over coffee for an hour or two, wonders why I’m always in a good mood”
I never really got into this song. It’s another melancholy ballad-type, but it doesn’t resonate as strongly with me as Pins and Needles. Lyrically and musically somewhat straightforward, this song just doesn’t stand out for me compared to the rest of this album.
10. The Navy Song
- Relative Rating: 11/13
- Star Rating:

“Time, rolling along with the waves a thousand miles away, holding you close in the rain, seems just like yesterday…”
This song is commonly mislabeled as ‘In the Fall’ but it’s actually called ‘The Navy Song’. I’ll give you all a second to go change your downloaded mp3s… okay done? Good.
This song is somewhat related to ‘Worker Bees’ except without the metaphor. The song is sung from the point of view of a navy recruit, shipping out for the first time. It’s a tragic song, but powerful and well-written. The band has managed once again to take a hard-rock approach to a song and temper it with underlying softness that sets up a great contrast and makes for a good song.
11. Perfect World
- Relative Rating: 5/13
- Star Rating:

“All we shared was a mattress and a lie and an address…”
I guess every album needs a ‘I’m glad we broke up’ song. It’s not the greatest song on the record, really straightforward and forgettable. Once again there isn’t a whole lot to say about this track… except that nobody should use “Control Alt Deleted” as a song lyric.
12. Sympathy
- Relative Rating: 7/13
- Star Rating:

“A slap in the face, and I can’t erase these things that you say, don’t make it all okay it’s not okay”
Despite its lower rating, this is actually a decent song. The content is innovative: a request that a person not be overly sympathetic. Maybe it’s only because I agree with the subject matter that I like this song, but it’s a pretty decent track. Apparently this song was written about Stephen Harper. Way to stick it to that helmet-haired weirdo.
13. Burn the Evidence
- Relative Rating: 10/13
- Star Rating:

“In a garage beside a house there is a luxury sedan, and for his next monthly installment he’s gonna go out with a bang…”
Out of all the songs on the album, this is probably the best to end it with. It’s a strong offering that alternates between a softer side and a very fast-paced, hard and edgy sound. This song, surprisingly, talks about the pain of forced retirement and depression in the newly-unemployed. I’ve seen bands discuss subjects relevant to groups younger than themselves, but rarely have I ever seen songs written for older people.
Overall impression
I’ve used the term ‘album’ a few times in this review, and I feel like I am not being accurate: this is really a collection of songs. There’s not really a unifying theme or any attempt to create mood or feeling in the song mixture. It’s really more accurate to call this a record rather than an album.
The album is actually very aptly titled. Billy Talent II seems like the other half of Billy Talent. The two albums complement each other quite well, and are idiomatically very similar. Without being repetitive, the second album almost seems like a continuation of the first. One thing you will notice that is strikingly different is that Ben Kowalewicz doesn’t scream as much. Instead of using it as the focus of songs (i.e. ‘Line and Sinker’) it is now used sparingly as an effect to add intensity. Another thing even casual listeners will notice is that there is a lot more depth to these songs. They show internal contrast and thematic changes. That being said, there’s not a lot of differences between each song (at least musically speaking). The middle songs are essentially interchangable to the casual listener, as most use the same guitar effects and musical arc.
Overall, this is a collection of good songs. Nothing on this album scores below a 3 out of 5, and a number of them score 4.5 or 5. The band has shown its willingness to develop its sound, and I hope that translates into a more album-like album.
I give this album 3.5 out of 5 stars.
To buy or not to buy?
This is an album worth having almost for the art alone. If you liked Billy Talent (the first album) you should go out and buy this album. It’s got everything you liked about the first one, with some more mature touches and great songs. If you haven’t heard the first album, you should go buy this album. Billy Talent is a great band, and this is a great bunch of songs by them. If you didn’t like the first album, then this one is probably not for you. I’m glad I bought it… even though I lost it shortly afterwards

